playOUT 2026/27 Season

  • Aug 22: Thirst Ears Festival

    A preview of playOUT!’s 2026/27 community engagement program.

    playOUT! performs on The Main Stage at 9:00pm on August 22nd - right before the Mini Sound of Silent Film Festival!

    1758 W. Wilson Ave.

    Parking is limited to street parking

  • NOV 20: Echoes

    A Transgender Day of Remembrance Concert at The CheckOut.

  • Feb 19: Lavender Salon with pianist Nicholas Guetterman

    Music, identity, and belonging in mid-century America

  • Mar 30: Seen

    A Transgender Day of Visibility Concert in partnership with Trans UP Front Illinois. Featuring the world premiere of playOUT’s first Project VOX commission.

  • Apr 25th: Colors of Their Love

    A concert celebrating queer faith, featuring the world premiere by Jaide Reeves, recipient of playOUT!’s 2027 Commission Award.

FALL 2025 COMMISSION:

Devin Clara Fanslow, composer


Devin Clara Fanslow is a multi-instrumentalist (guitar and mandolin), vocalist, composer, and producer. From her roots in classical music, and explorations in electronics, jazz, folk, and metal, her style of composition branches out into stylistic practices showcased through her three ensemble projects: Fire Thief (light), Bat Hawk (medium), and Serval Initiative (heavy). Outside of those groups, her music can be heard on the stage, and in the media, having produced music for podcasts, games, and short films.

Devin is inspired by the natural world around her, and what exists outside the spectrum of our vision. Her music often references the mystical and science-fictional, to create a storytelling landscape through music. These can include the birth of a sun, depicted in a trumpet choir titled The Collective, a deer she saw in a Chicago graveyard during lockdown, inspiring Faun for brass quintet, or the enduring oppression of western apocalypticism depicted in Hold Please, as recorded by Serval Initiative. 

Regardless of the topic of inspiration, human identity and the struggle for connectedness is at the heart of her writing. Devin’s own identity, as a transgender woman, has been explored through music. Highlighting, again, the overall humanness of the trans experience to create recognition of shared struggles around gender norms. 

During a time of heightened anxiety, and after having to quit playing trumpet due to a jaw injury, Devin has taken that stress and channeled it through death metal vocals, finding the practice very cathartic. Exploring texture and impact, using the voice to growl, scream, and roar, has helped shake off expectations and judgments by those whose implicit biases demand a specific gendered performance.